All the hair belongs to Tom Offer-Westort. Hair Cutter: Abby Simon Director/Photo: Peter Simon Music: It's Anarchy by Mr. Pumpkinpants and the Manitee Burnouts This was a band in college that was comprised of Paul Otteson: paulotteson.bandcamp.com/​ and Laura Schultz: goodnightgolddust.bandcamp.com/​ Wow this video has blown up so fast! Thank you everyone!

Short video clip, more info at: boldcreativestudio.com onvisuals.com

A short film directed by Bruno MANGYOKU and Tom HAUGOMAT thanks to Louis TARDIVIER, Mathilde OLLITRAUT-BERNARD, Manuel TANON-TCHI, Vincent MAHE, Alexandre POIRIER, Hélène VAYSSIERES, ARTE FRANCE, COMPTOIR DU SON, CUBE COMPUTER CREATIVE COMPANY. Received the "Jean Luc Xiberras de la première oeuvre" award in ANNECY FESTIVAL 2010

This piece was originally conceived as a part of CG set for a commercial spot about hamburgers throughout recent American history. However, the potential also existed for the set to be the stage for a visual exploration in lighting, composition, and cinematography. So the assets were repurposed to try and achieve that goal. The lighting was originally intended to evoke a sense of an old game show stage after hours, think Price Is Right Showcase after the lights have gone down. Although it did evolve, it should still capture that low-lighting feeling. Color correction was performed in After Effects to try and achieve the look of an old photograph. The popular "Instagram" presets were a big inspiration. Mental Ray was the primary renderer and Adobe products were used for texturing, compositing, and editing.

Some are calling it the biggest and best swell to hit Fiji in 20 years, check out Dean Bowen, Scardy, Nick Vasicek and Mikey Brennan's journey chasing down the monster waves with some of the worlds finest...

Song by Cinematic Orchestra cinematicorchestra.com/​ Shot with a 5D MK II and a 7D Zeiss 35, 50 1.4, 85 1.2, Canon 15mm, 24mm, 24-105, 70-300mm, MOCA Kessler Cineslider, revolution head, and various DIY contraptions I've built for zoom motor control. I sought out to capture the electric radiance of Los Angeles at night. It took me 6 months of on and off shooting to finish this project and I've learned a couple things along the way. First off, LA might be the entertainment capital of the world, but it sure is difficult to shoot around downtown without having homeland security officers, police, or security take notice and harass you. Know your shooting rights! Shooting time lapses is a labor of love and a study in patience. facebook.com/​colinrich1 pacificstarflight.com/​Pacific_Star/​Open.html

Originally created for the Weekend Project group. Inside the studio/bedroom of solo artist Paraic "Pork" King. All photos ©Ricardo Zapata zapataphoto.com Music by Paraic King soundcloud.com/​paraic-king paraicking.tumblr.com

A show by Mayer Hawthorne

A short film about talking to those you've lost. Finding solace in their memory. Shot over the course of four days in Los Angeles as my thesis project from film school. Writer/Director/Editor/Sound/Visual Effects: JOHN X. CAREY -- JOHNXCAREY.COM Featuring: ANA VALVERDE, ADRIANO ARAGON, and CHARLES SOLL Narrator: Tom O'Bedlam -- youtube/SpokenVerse Based On: 'Be Near Me When My Light Is Low' by Alfred, Lord Tennyson. Producers: JOHN X. CAREY, JORGE GARDUNO, PAVAN OJAH. Director of Photography: JUSTIN GURNARI Production Designer/Wardrobe/Hair & Makeup: BRITNEY HOPPER-ROBLEDO Art: KEVIN WANSA, WILL KINDRICK 1st Assistant Director: PAVAN OJAH 2nd Assistant Director/Wardrobe: JUSTIN PICHETRUNGSI 1st AC: MIKE REYES, MIKE MITCHELL, ARMEN PERIAN Colorist: JEREMY SAWYER Line Producer: ERIK ANDERSON Grip: MATTHEW ALCORN Extras: RAFFAELE RINALDI, NICK MAZZONE, SEAN KEEHAN, ALTHA SPANN, BIANCA LEMAIRE, JENNIFER YOUNG, JESSICA NAGEL, SANDRA MONTEON, ANDREA MARTINEZ, MANDI JOHN. Huge Thanks: Ana Valverde, Ted Marcus, Ian Kammer, Dan Bartolucci, Adriano Aragon, Montana Mann, and Company 3.

'Gulp' is a short film created by Sumo Science at Aardman, depicting a fisherman going about his daily catch. Shot on location at Pendine Beach in South Wales, every frame of this stop-motion animation was shot using a Nokia N8, with its 12 megapixel camera and Carl Zeiss optics. The film has broken a world record for the 'largest stop-motion animation set', with the largest scene stretching over 11,000 square feet. The animators: aardman.com The sand artists: sandsculptureice.co.uk The phone: nokia.com/​n8