ianruschel.com zeppelin.com.br facebook.com/​pages/​Ian-Ruschel/​151157891612280 "Poets, like the blind, can see in the dark." Jorge Luis Borges A little homage to the Argentinian poet Jorge Luis Borges, one of the greatest writers of all time. This video was shot in the winter of 2010 in Buenos Aires and Capilla del Señor, Argentina. Directed and shot by me with a Canon 5d. I edited and color graded it in Final Cut Pro using Twixtor, Knoll Light Factory and Magic Bullet. Alcidez Zonco as Borges Assistant Director: Max Laux Production Manager: Arnoni Lenz Production Company: Zeppelin Filmes Track: Gustavo Santaolalla - De Usuahia a la Quiaca - The Motorcycle Diaries Soundtrack Special thanks to the Zeppelin Films crew (for all the support and encouragement) , Raúl Outeda (for all the tips and insights of Borges life), Gabriela Mo and Max Laux (for helping me out with the editing and some post production issues). Lenses Used: Canon 50mm 1.4 Lensbaby 50mm 2.0 Canon Macro 100mm 2.8 Sigma 10-20mm 3.5

Music video: Magenta Skycode - Kipling Producer, director: Miikka Niemi DoP: Aarni Toiviainen & Iisakki Kennilä Label: Sony Music Finland Music video filmed in Finnish Lapland sonymusic.fi solinarecords.com magentaskycode.net/​ Connect with us: flatlightfilms.com facebook.com/​flatlightfilms twitter.com/​flatlightfilms youtube.com/​flatlightfilms

Heliotropes / 2010 / 3 min / HD / Stereo HELIOTROPES documents the parallel goals of man and nature, through the most primitive and sophisticated means, to simply stay in the light. Based on the poem by Brian Christian. "Heliotropes" premiered at SXSW in March 2011. langanfilms.com

Motalko -The Chronicle of a Petrol Station (DOWNLOAD!) 25 September Full Movie in 3D HD Download here: hb-production.com/​motalko3D 3d camera mapping scenes from the documentary MOTALKO. The whole process (modelling, texturing, compositing) was done with Blender 2.49. created by: Miklós Falvay layout artist: Domonkos Pinke MOTALKO is a documentary about the first Hungarian petrol station. Directed by Attila Kekesi, produced by Miklos Havas. Released in 2011.

My references are various, from Chris Ware for his extraordinary layout and (sometimes abstract) images, Hans Richter, Len Lye, Stanley Kubrick or Godfrey Reggio (with his qatsi trilogy). I must also quote the speech of JFK ( youtube.com/​watch?v=6z1DidldxUo ) I would like to thank the people who support me, a BIG thank to Yann, Alexis, Florent, François, Stéphane & Sylvain. I would like to thank Chez Eddy for their support : chezeddy.com CREDITS : Directing/design/animation/composting : Céline Desrumaux Additionnal character animation : Florent Remize Music : "Granulard bastard" from Apprat. LINKS : Céline : groovythesushi.blogspot.com/​ Florent : flomize.blogspot.com/​ Music : apparat.net

Directed by bif Produced by bif Sound by Azel

Production: ChezEddy Label: Barclay Producteur: Nicolas de Rosanbo Réalisation : Louis Clichy Direction de production : Davy Koskas Animation / Compositing : Antoine Ettori - Sébastien Rouxel - Matthieu Gaillard -Mathias Lachal - Ludovic Versace - Thibaud Gayral - Alice Bissonnet Rotoscopie : Olivier Guedj - Alexandre Bain Etalonnage : Jean-Michel Petit Remerciements: Robin Feix, Arnaud Le Guilcher

We visited Josh Vogel of Blackcreek Mercantile & Trading Co. in late 2010 and kick started this year with a feature on the wood sculptor based in Kingston, New York. Our experience with him was so profound that we knew we had to pay another visit. This time, to document his story as part of our series. The result is nothing like we've ever done. This film gives little background on who Josh Vogel is, read our feature for more details. Instead it explores the idea that turning wood is a reductive process that in essence is a step back in time. As the wood loses a layer, the years are taken away. This abstract idea is a constant that Josh is very aware whenever his chisel touches the bark and steady peels away the rings of time. thescoutmag.com

A Short Film by Sebastian Lopez The Killing Joke is a 15 minute suspense/fiction short film about a mysterious woman that finds a red balloon tied up to a curious little box on an eery derelict street. Using classic elements of suspense and working within a seventies aesthetic, 'The Killing Joke' is an action packed film that pays homage to some of the horror movies from that era. The piece was shot during four intense days of filming in the Argentinian capital Buenos Aires. The micro budget production was shot using just two 7d canon cameras. The composition and CGI effects for 'The Killing Joke' required months of 'invisible' digital retouching to create the panoramic, yet claustrophobic atmosphere that pervades throughout the movie. Sebastián López wrote and directed the story, and was also responsible for all the impressive post and composition work. Colin Devlin created the Original Soundtrack, working from his home studio in LA he collaborated on the project with Sebastian from it's inception, creating a wonderful striking symmetry between sound and image.This is the second collaboration for Sebastian and Colin, the first being an action packed trailer created for a fictitious movie called 'Vertical' that went viral on the net, creating a serious buzz for the young director. Actors Gustavo Marzo and Clarisa Staracci Worked together to portray the intense characters seen on screen. The Killing Joke was a work of entire dedication and effort. WWW.THEKILLINGJOKEMOVIE.COM

'When what you see is not what you get' The 2D version of the 3D short film by Alexei Popogrebsky. We used the opportunity to test some concepts in 3D and see how it would translate to 2D, and vice versa. Originally part of the Experiment 5ive omnibus -- 5gum.ru . (Hence the black envelope with the picture inside, which had to be the common element of all 5 films) 3D Anaglyph version here vimeo.com/​28852133 Featuring Grigory Dobrygin and Ina-Maria Jaich Photography by Peter Steuger; Production design by Erwin Prib; Art Direction and SFX by Niels Müller; Costume Design by Petra wellenstein; Music by Dmitry Katkhanov; Stereography by Sarah Rotter; Shot on Arri Alexas and Stereotec 3D rig; Postproduction by Pictorion das werk; Produced by METRAFILMS