Alone, on a supermarket parking at night, anything could happen...

Almost everyday, on my way to a local bakery, I walk in front of a dry cleaners. When they have the front door open, I hear a lot of interesting sounds coming from their work equipment. Eventually, the different mechanical and steam sounds sparked something in my mind, so one day I asked the owners if I could record a piece of music by using their machines as musical instruments. I used a puff iron, press and dry cleaning machines, a washer, clothes hangers, and a bucket full of soap. The bass and lead sounds were created from the buzzing tones coming from the conduits and engines. There are no additional sounds from any traditional or electronic instruments. Enjoy! More info and pictures are available at the Behance gallery: behance.net/​gallery/​Music-from-a-Dry-Cleaner/​2161629

Somethin’ Better Than Nothin’ is an anthemic standard of forlorn love that builds to a mass only to be drowned out in wailing feedback. This aquatic themed space-tinged video was directed by Juan Iglesias. Somethin' Better Than Nothin' is taken from the Takeshi Miyaki EP which is available to download here: bitly.com/​pWZzCG

My Graduation Short Film, directed at l'Ecole Nationale Supérieure des Arts Décoratifs of Paris in 2010 - 2011, in the animation section. FRICTIONS mixes live action and stop motion animation and has been shot with a Canon Camera 5D Mark II and a 24-70 L lens, in a blue screen studio located in Ensad's building. directed by: Steven Briand with: Julien Jourdain de Muizon choreographer: Clara Henry cinematographer and cameraman: Pierre Yves Dougnac music and sound design: Moritz Reich & Agathe Courtin visual effects: Francis Cutter & Benoit masson costume: 2WS - world wild souls first assistant: Romain Daudet Jahan animation assistants: Nathalie Anne Boucher, Camille Chabert & Luca Fiore visual effects assitant: Sarah Escamilla Contact: briand.steven@gmail.com

In the dismal future, we'll all be affixed to our respective wires and screens, dreaming about being virtually with the one that you love. Dot & Effects was responsible for all aspects of Post-Production including; Projections, Editorial , Color, Visual Effects & Animation Production Credits: Music video for “Polish Girl” by Neon Indian Tim Nackashi – Director Asher Brown – Executive Producer Jamie Kohn Rabineau – Co-Executive Producer Erica Sterne – Producer Kevin Phillips – Director of Photography Simon & Nicki Haas – Production Design Stella Berkofsky – Stylist Garyl Jones – Make-up Artist Editor – Mandy Brown VFX by Dot & Effects VFX Supervisor Jeff Dotson VFX Producer Alex Valentine VFX Artist: Brandon Lilly Starring – Blake Brent (Humanoid) & Dawn Batson (Dream Girl) thecreatorsproject.com/​videos/​neon-indian-polish-girl-by-tim-nackashi

winner! **best film** **best directing** **best cinematography** **best editing** **group c audience award** directed by ben crowell and joel marsh written by all music by luke bradford cinematography by joel marsh starring ben crowell and mali macconnell sound by jake young production dynamo- andrew wood genre: comedy prop: chess piece character: uncle hank line: "i didn't see that coming." thank you for watching!

A New Video From InfinityList.com The Cinematic Sports Experience Chapter 1: Experience Human Flight (vimeo.com/​22428395) Chapter 2: Experience Zero Gravity There are thousands of people that are exploring some of the most beautiful landscapes in the world. This chapter we will take you to Norway Switzerland and France where people are jumping cliffs as high as 6,000 feet. Experience Zero Gravity will hopefully provide you with the feeling and the emotion that we feel when we think about the experience of Base Jumping in the most scenic locations of the world. We hope you can see this world from our eyes. InfinityList.com is a central platform to find the best and most cinematic sports video. If you have any questions or further comment please contact us through our website infinitylist.com Starring: Ossie Khan, Stephen (Sparky) Baich, Fred Fugen, Vince Refett, Adrian Acquado, Jeremy Bourne, and Woody. Produced by: Betty Wants In BettyWantsIn.com facebook.com/​BettyWantsIn In Association with: Melbourne Skydive Centre MelbourneSkydiveCentre.com.au facebook.com/​MelbourneSkydiveCentre Shot on a GoPro Music: Alex Khaskin - "Life is Beautiful" audiosparx.com/​sa/​summary/​play.cfm/​crumb.32/​crumc.0/​sound_iid.491555

Shot with the Canon 60D. Edited in Premiere. Post production done in After Effects with Twixtor. Directed by Rishi Kaneria. Starring Dante Ha, a professional stunt man whose work includes Dark Knight Rises, Contagion, X-Men:First Class, Walking Dead, Teen Wolf and more. imdb.com/​name/​nm4010586/​ Music by Clint Mansell. Featured on: Gizmodo: gizmodo.com/​5837181/​being-a-stuntman-means-kicking-ass-in-slow-motion NOZAP: llx-nozap.blogspot.com/​2011/​08/​stunt-poetry-rishi-kaneria.html The Curious Brain: thecuriousbrain.com/​?p=24201 & Other Fine Blogs: julienmarie.fr/​2011/​un-cascadeur-poete/​ 2dots-era.blogspot.com/​?2011/​?09/​?creative-film-stunt-poetry.html fubiz.net/​2011/​09/​01/​stunt-poetry/​

Animation, Render, Compose: Danil Krivoruchko, Rostislav Magay Sound: Konstantin Chubakov (chubakoff.ru) Director: Danil Krivoruchko Made by MYSHLI for Sensetive Brands

ianruschel.com zeppelin.com.br facebook.com/​pages/​Ian-Ruschel/​151157891612280 "Poets, like the blind, can see in the dark." Jorge Luis Borges A little homage to the Argentinian poet Jorge Luis Borges, one of the greatest writers of all time. This video was shot in the winter of 2010 in Buenos Aires and Capilla del Señor, Argentina. Directed and shot by me with a Canon 5d. I edited and color graded it in Final Cut Pro using Twixtor, Knoll Light Factory and Magic Bullet. Alcidez Zonco as Borges Assistant Director: Max Laux Production Manager: Arnoni Lenz Production Company: Zeppelin Filmes Track: Gustavo Santaolalla - De Usuahia a la Quiaca - The Motorcycle Diaries Soundtrack Special thanks to the Zeppelin Films crew (for all the support and encouragement) , Raúl Outeda (for all the tips and insights of Borges life), Gabriela Mo and Max Laux (for helping me out with the editing and some post production issues). Lenses Used: Canon 50mm 1.4 Lensbaby 50mm 2.0 Canon Macro 100mm 2.8 Sigma 10-20mm 3.5